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Each Halloween, the Halloween Ambassador to Earth arrives on Earth with a shuffling gait and a cloak that billows like autumn fog. His face, worn and skeletal, carries a strange allure, drawing glances both curious and fearful as he moves through the crowded streets. To most humans, he is just another ghastly mask among the sea of costumes, his hollow eyes blending seamlessly with the spirit of the night. As he passes by, people feel a chill—a fleeting sensation, like a memory of something forgotten, yet profoundly ancient.
One of my favorite art galleries is Nucleus . If you're not familiar with Nucleus, I highly recommend checking out their work and following them on Instagram: @nucleusportland . I've been following this gallery for a few years now, and their choice of artists really resonates with me and the type of illustration and art that I love. So you can imagine my surprise when, a few weeks ago, Nucleus reached out to invite me to participate in one of their upcoming shows, P.S. (Postscript) 9. The exhibition will open at their Portland location on December 15, 2024, and run until January 4, 2025.
Traditional and digital artists require staunch support to persuade corporations and businesses from prioritizing profit over artistic integrity by embracing A.I./ generative artificial intelligence programs to create their content, and sensitize them on the destabilizing effect that this shift may cause in society.
I have a problem. We have a problem... Last year, Prismacolor announced that the beloved Col-Erase individual pencils will be making a dramatic exit from store shelves.
Since late last year, these pencils are only sold in sets of 12 and 24, offering a variety of colors. For decades, Col-Erase pencils have been the secret weapon of artists, sketching enthusiasts, and animators worldwide. With their magical erasability and a kaleidoscope of vibrant hues, these pencils have been like trusted sidekicks on artistic adventures, helping us correct mistakes and breathe life into our sketches. Personally, my favorite colors for sketching were brown, Tuscan red, and blue.
As a fan of J.R.R. Tolkien's Middle Earth, I have always been drawn to the characters and their stories. One character who holds a special place in my heart is Frodo Baggins, the hobbit who embarked on an epic quest to destroy the One Ring. That's why I decided to bring him to life with a painted paper doll project. In this blog post, I will take you through the process of creating a painted paper doll of Frodo and share the joy that came with it.
Whenever I travel somewhere, be it a day trip or a holiday, when I see an art supply store I just have to enter and buy something. Part it’s the feeling of excitement that I experience every time that I enter an art supply store, part is the desire to support brick-and-mortar businesses and part is to have a little adventure and discover something new. I am not constantly following what brands and companies are putting out so a visit to a store is a perfect way to keep myself updated about all things new (I still grieve the closing of my favorite art supplies store, Da Vinci in Chelsea, Manhattan. Oh, that store was so beautiful and had an amazing assortment of art materials. Unfortunately it did not survive the pandemic).
I have struggled for so long with how to stretch watercolor paper that I almost gave up!
Determined to figure it out, once I did there was no going back for me. Now I stretch watercolor paper of all sizes and types.
The beauty of a perfectly tight surface to paint on has no comparisons. If, for your watercolor paintings you use a lot of washes and re-wet your paper constantly, stretching it with gummed tape is the way to go. Let me show you how I do it.
Hello everyone,
This is just a quick entry to mention this marvelous school in Transylvania, which I have discovered by chance, surfing the web.
Pod is a private school established in 2018, which offers classes in botanical illustration, in which seems to be a magnificent location.
I like to start most of my paintings by staining the paper, in order to have a base of light values upon which to build my painting and to get rid of some of the paper sizing. Let me show you how I do it. By the way, in the video I mention
Watch my first live demo, hosted by Etchr Studio, on how to paint a forest troll in ‘diluted’ gouache!
On a hot and humid July day, as I was sipping an icy mint and vanilla infused water, an idea for a new illustration came to mind. I thought that it could have been interesting to share my the creative process.
From time to time I do change the type of tools that I use, or the way I approach a new illustration, but the process that I’m describing here it’s the one that I’ve been using the most recently.
I spent this year’s July 4th holiday in Vermont, like I did in the past 10 years.
The moment I get to Vermont I feel like I start regenerating. The nature and the green, the birds and the deers, everything is enchanting.
This year I decided to put to good use a zoom lens for my Canon EOS that my husband gave to me as a gift years ago.
I wanted to share this time lapse video that I shot of my gouache painting process.
I have painted Ludo, a character from the 1986 movie Labyrinth. The production design for the movie was by one of my favorite artists ever, Brian Froud.
One of my favorite illustration artists is Alan Lee.
I discovered his work in my teens, when a (boy)friend showed me the book ‘Faeries’, which Alan Lee illustrated along with another one of my favorite artists, Brian Froud.
At first I was constantly going back to Froud’s work, intrigued by his depiction of pixies, fairies and goblins. In time, though, Alan Lee’s work grew on me.
I used to buy most of my art supplies in the city, usually on my way back from work ( I live in Brooklyn and I work in Manhattan) but since the lockdown caused by the COVID-19 pandemic, I started buying on-line more.
I love researching the work of illustration artists. I find it exciting to discover previously unknown artists and to find out about the art techniques that they used, the approach to composition, the influences that inspired them and so on.
Just recently I have discovered the work of German Illustrator Hermann Vogel (16 October 1854 – 22 February 1921).
• Art Time-Lapse of the Ouroboros Painting

I have filmed the process of painting The Ouroboros, which is one of my favorite painting of the past few months. I am fascinated by the mystical meaning of this symbol, that have been used for centuries by different cultures, from the Egyptians to the Vikings.
I use gouache paint like I use watercolors and I like to build up the painting by adding thin layers of paint , finishing by using transparent layers to soften the edges and maintain some of the luminosity from the paper. Check out the video by clicking on the image on the right!
•Etchr Classes

Check out my gouache classes on ETCHR Studio.
I demonstrate my use of gouache, building up my paintings by adding thin layers of gouache paint and bringing out the opaqueness of the medium little by little. Other topics that I cover in my classes are related to washes and glazing with gouache (Yes! You can glaze with gouache just like you would with watercolors!).
Check my classes HERE.
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I remember when digital illustration started becoming more and more relevant. I was still in school, but I remember that time well—mostly because the same kinds of conversations we're having now about A.I. 'art' (it’s not art) were happening back then about digital illustration and how it disrupted traditional illustration. Of course, the impact we’re seeing today is on a whole other level. What we’re dealing with now is a hundred times more disruptive than what happened twenty years ago.